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In 2022 with the release of Ivory, Apollo’s eclectic debut, his hit single and career first Billboard Hot 100 entry “Evergreen (You Didn’t Deserve Me at All)” was certified platinum, sold out his first headlining tour, and performed arenas with SZA and Daniel Caesar. 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Across the album, she draws from the country and alternative rock music she listened to growing up outside of Houston; the songs of artists such as the Eagles, Vince Gill, Waylon Jennings, Joni Mitchell, Dolly Parton, and Neil Young, ever present in her life; and the decade she spent entrenched in Brooklyn's indie music scene.\u003c\/p\u003e\n\u003cp\u003eDenitia's music has been featured in the films Nanny and The Invitation, as well as in the series Better Things (FX), Broad City (Comedy Central), Dear White People (Netflix), Shrinking (Apple TV+), and The Terminal List (Amazon). She has toured extensively with the Black Opry Revue; been invited to perform at the National Museum of African American Music and the Country Music Hall of Fame and Museum in Nashville; and shared stages with Jason Isbell, Amythyst Kiah, Joy Oladokun, and Allison Russell, among other artists. 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Blending genres and moods, weaving novelistic details into instantly memorable folk songs, he has crafted a record that feels like a series of personal breakthroughs, arriving one after the other. The first thing that strikes you about Mustafa's music has always been his writing: a simple, piercing tone that can make any story feel as raw and earnest as the words to a love song. With a hushed delivery that can silence his surroundings, Mustafa evolved swiftly from a child prodigy reciting poems throughout his native Toronto to a behind-the-songs pop songwriting force. On Dunya, he becomes a full-on auteur in his own right. \"I'm trying to preserve and celebrate the ordinary life in the hood,\" Mustafa notes of his lyrical inspiration. Exploring his upbringing and trajectory onward, these songs are equally disarming in their simplicity and multilayered in their emotional breadth. 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Of the four multi-tracked concerts, Penn State was a last minute addition to the schedule and required gruelling additional journeys there and back, book-ended, on the original tour schedule, by the geographically easier Asbury Park, New Jersey on the 28th and Providence, Rhode Island on the 30th, leaving audiences then \u0026amp; since, grateful for the band's willingness to use a 'rest day' for an unplanned performance.. Despite the travel complications, the Penn State gig featured two of the best improvs from this tour - Is There Life Out There? and It Is For You But Not For Us, which sounded, in many respects, no less fully composed than the recently released Fracture or the yet to be recorded Starless. For most attendees, the majority of the material would have been heard for the first time, not an uncommon feature of King Crimson gigs in that period, though unthinkable for most bands today. 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These Are Soulful Days is Jame Brandon Lewis' first long-form composition for string quartet \u0026amp; tenor saxophone. Performed by Lewis \u0026amp; The Lutoslawski Quartet (Roksana Kwa?nikowska-1st violin; Marcin Markowicz-2nd violin; Artur Rozmys?owicz-viola; Maciej M?odawski-cello), it was commissioned by Poland's National Forum of Music for World Premiere at the Jazztopad Festival in Wroc?aw.  JBL writes: \"These Are Soulful Days is built from, and inspired by, the fabric of a quilted history of african-American music from it's folk traditions of blues, spirituals and jazz. It embodies the sentiment of a joyful past, a determined present and a resilient future.\"  1 spot in all major us jazz critics polls. With a thorough devotion to craft, Lewis has moved from strength-to-strength since: touring widely in the US \u0026amp; Europe, and creating a series of distinct \u0026amp; acclaimed albums for the labels, Anti- (trio), Intakt (quartet), and TAO forms (Red Lily). 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